Fred Peterkin has been focusing on releasing music under his now more familiar Fred P alias rather than the Black Jazz Consortium pseudonym with which he first made his mark back in the late 2000s. Here he dons the latter alias once more for a triple-vinyl album that counts amongst his most alluring, evocative, musically intricate and ear-pleasing full-length excursions to date. It's largely a warm, positive and calming affair, with Peterkin wrapping glistening jazz guitars, dreamy chords, spacey effects, scat vocals and jazz-funk basslines around grooves that variously touch on broken beat, Motor City deep house, Latin house and organic rhythms.
